The painting, Seriously?, is being pushed toward atmospheric effects. I am dealing with so many disparate issues in my painting. This struggle to understand so many issues, from form to image to painterly, does not afford easy solutions. How does a form fall into a painting's atmosphere when local color must be decided too? This process is currently a push and pull activity. I am working hard to make it a natural process of pure flow, not ebb and flow! Can that happen? I believe it can. This is called working toward mastery. We all know mastery can happen. We all know mastery was different for Picasso than it was for Matisse. Please, hang in here with me. My struggle, to move toward mastery, is better endured if I don't do it alone. Thank you!
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