 "Honorable Terms" (2021 No.7, state 10), oil on canvas, 52x59⅞ inches, {"The roots of reason are imbedded in feelings — feelings that have formed and accumulated and developed over a lifetime of personality-shaping. These feelings are not a source of weakness but a resource of strength. They are not there for occasional using but are inescapable. To know what we think, we must know how we feel. It is feeling that shapes belief and forms opinion. It is feeling that directs the strategy of argument. It is our feelings, then, with which we must come to honorable terms." - James E. Miller, Jr., "Word, Self, Reality: The Rhetoric of Imagination" (1972)} It takes darkness to make light. This is true for canvas and paper. In the real world, the actuality of light is electromagnetic waves from an energy source. Paintings and drawings have no energy source, except the intellectual and emotional energy of construction. Thus comes the painting "Honorable Terms". A note about reproduction: There is nothing so difficult to reproduce as subtlety of nuance within the darker values of a drawing or a painting. I am intrigued with gradations of light found within darkness. So was Albert Pinkham Ryder.  Albert Pinkham Ryder, "Jonah", oil on canvas, 1885  Drawing 01·13·2021, pencil on paper, 20x16 inches What am I doing? I am looking carefully at the space between the lines, the negative space. I am filling the page with carefully considered forms, forms created by pencil lines. These lines, inherently, leave gaps between one another. These gaps are emotional spaces, ones that create light and darkness, good and evil. My current research is investigation into the emotional satisfaction, personal self-expression, that I may obtain from the space between the lines.
 Drawing 02·26·2020 (state 2), pencil on paper, 20x16 inches  Unnamed (2020 No.2, state 1), oil on canvas, 52x55½ inches {Reference quote to be added after painting named.} The world feels queasy and uneasy. The drawing began on 2/26/2020 came to conclusion, but everything else in my life (and living) is up in the air, being questioned, is in search of resolutions. The darkness that is "Drawing 02·26·2020 (state 2)" is solidly frank; it speaks in a world in which light is sought, darkness abounds, but clarity can been seen — the forms within are definitive, edges are comprehended, the space in which its forms reside is known. This drawing is solace for the poor of spirit. Our spirits shall be redeemed.
The new painting, begun yesterday, remains unnamed. Today it will receive a name, one that reflects the state of my mind as I begin this new search for truth, clarity, and self-knowledge.  Drawing 01·28·2020, graphite on paper, 20x16 inches An ancient part of us, a remembrance of things past, is shrouded by current events. Communication between souls requires our most ancient information become accessible, available to be perceived on the surface of our knowing. I strive to make our ancient knowledge as present as that known through the schooling of our intellect. Yesterday's drawing pulls a few triggers, ones that lie beneath the wave that hit the shores of my presence tense. I am diving, dumpster diving, into the food that others have passed off as distractive to their daily lives. I work in hopes of connecting the here and the now with the fullness of all knowing, past and present and the future I find as I walk forward, step by step. Look as you fall into this drawing. Through light and darkness, and because of the pressure that is a spatial drop, join me in seeing more than the simple gift of representational knowledge.
 Drawing 06·22·2019, pencil on paper, 16x20 inches In life there is struggle to see clearly. The murkiness of people, things, and emotions obscure easy access. Muck, rubbish, and dirt get in the way of truth-telling; clarity is found by consistently pushing the falderal out of one's way. Such is my journey. Reason is not enough. This is slow because the rubbish is much. Yesterday's drawing dealt with this dichotomy. There is left and right; there is heaven and earth. There is darkness and light. The left is shadowed, invokes a search for nuance. The right is easier on the eyes; it invokes simplicity and strength. The monument on the right is clear. The monument on the left struggles to be seen. Both monuments are pyramids, one tall and lean, one fat yet sturdy in its dark surroundings. Obvious, there is play between murkiness & limpidity.
 Drawing 06·20·2019, pencil on paper, 16x20 inches Self discovery does not occur on one moment on one day. It is a never ending process. Becoming oneself is possible and impossible. It is possible to be more oneself with every effort toward self-realization. Complete selfhood cannot be achieved. It is the journey that excites. Similar to discovery new geographies, insights in selfhood give exhilaration in living.
Yesterday's drawing is very different than the one from the day before. I feel fear when my drawings go so dark; scary when I tend toward blackness. I am a believer of light as omnipresent. Perception of shadow is dependent upon light, less of it, but still there. I am hoping to paint today. I continue to deal with my exhibitions, promoting them, preparing to take one down and put one up. I will be glad when the studio, the making of art, is my primary artistic concern. Soon...  "Along for the Ride" (2018 No.7, state 14), oil on canvas, 65x53 inches {"Maybe the best thing would be to forget being right or wrong... and just go along for the ride." - Philip Roth, "American Pastoral"} The painting Along for the Ride is very close to completion. It has a major problem. It is in the lower left. It is not the composition. It is the color used to create the shadow on the orange object; it is too dark and does not ring true as representation of the shadow it suggests. This will be fixed today.
Once in a while a painting comes along that is emblematic of knowledge acquired/knowledge questioned. Along for the Ride is such a painting. It is immensely important to my oeuvre. I will proceed out of this painting with greater focus on my own intentions; intentions animated by deeply perceived original consciousness. I discover what I know through actions upon questions; questions that originate from the experience of my existence. Experience is compounded knowledge. Knowledge is a compendium of reaction to experiences; positive, negative, and neutral.  Drawing 06·01·2017, pencil on paper, 20x16 inches I am hoping to run. However, I am still learning to walk. Yesterday's drawing, and (actually) all the drawings of this past week, are me taking careful steps. One by one, they come slowly, carefully, deliberately. I am practicing. I am in search of the intrinsic and fundamental. Fundamental to me is form, pattern, compositional movement, variety, contrast, surface energy (created by rhythmic marks), and the dynamic of light versus darkness. This week has been weak on volume of works and the activity of painting. It has been one of low energy, but quality introspection. There is rhythm to discovery, invention, and creativity. I have great belief that living is filled with rhythm and rhyme. The idea that rhythm and rhyme can be mimed in art is beginning to be apparent in my drawing. At last! This technique of suggesting action, character, expression and emotion, by using only gesture and movement, is happening here.
Obvious to me, these drawings are prelude to my next painting, 2017 No.10. I intend to finish 2017 No.9 in the next three or four days. |
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September 2022
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