Adolph Gottlieb's works have always fascinated me. I know why. I am struggling fro self-expressive potency; my images never fully satisfy me. Gottlieb's works use a simple formula, over and over. Gottlieb uses a round, cleanly organized shape in contrast to an explosive, jumbled shape; in addition, his images exude positive-shape intensity against supportive, residual negative space. The positive shapes are rich, the negative space lends them fierce interest. This contrast, of shapes and space, sings a potent, emotional message. I do not make flat shapes. My complex, three-dimensional forms have greater opportunity to sing emotions than do Gottlieb's simple, flat shapes. I will stay my course. Gottlieb's simple formula educates; his formula lends charge to visual imagery; his exude husky, emotional responses. In this regard, I believe I can go further than Gottlieb. Adolf Gottlieb's limited formula has instructed me; simple contrast has great possibilities; obtaining more accurate self-expression is possible!
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