The painting, Seriously?, is being pushed toward atmospheric effects. I am dealing with so many disparate issues in my painting. This struggle to understand so many issues, from form to image to painterly, does not afford easy solutions. How does a form fall into a painting's atmosphere when local color must be decided too? This process is currently a push and pull activity. I am working hard to make it a natural process of pure flow, not ebb and flow! Can that happen? I believe it can. This is called working toward mastery. We all know mastery can happen. We all know mastery was different for Picasso than it was for Matisse. Please, hang in here with me. My struggle, to move toward mastery, is better endured if I don't do it alone. Thank you!
Impossible to know it all, but I want to know it all. This is my passion. I am a problem solver. I am a problem. I do not understand everything I want to understand. More confusing than that: I don't know what I do not know. I just know there is a chasm in front of me and it is very dark and lonely down there. I want to light the darkness. I need to light the darkness. Yesterday I visually yelled at this chasm with three drawings. The addictive part of art-making is its give-back. With every completed work I feel I have lit the darkness a bit more; I understand more than before.
Today I will begin a new painting.
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At MEHRBACH.com you may view many of my paintings and drawings, past and present, and see details about my life and work.