I have nothing relevant to say compared to the gravity of the drawing that is in front of you. Of course, you see the reproduction; the actual drawing is more glorious. There is an expanse within me that is my present self-awareness; this profound self-awareness is allowing me to increase my self-perception of the art I make as I make it. My perception is my gaze upon the exterior-to-me world in which my art resides. Thus the realm in which my art is perceived in much enhanced compared to that I have perceived before now. The testimony to this increase in perception is the art itself.
There is a lot of art being made today that is plain vanilla. It is what is expected. Perhaps it has always been this way. The vast majority of artists have always repeated that which is given them. They follow the present day cultural norm. In many cases it is good art. It exudes the dictums of well known principles. Not every person can do this. It takes talent. Thus is the separation of the talented academic from the common artist. I am hoping I am not simply an academically talented artist. I am hoping I am the artist who sees the making of pictures as an experiment in wonder. Thus appears the risks I took yesterday. I am aiming at substance discovered, not substance known. I believe the painting 2017 No.9 is made as discovery. I have never seen anything like it before. It speaks truth to me. That is its importance.
Yesterday's drawing also surprises me. Even though it feels mostly made from formula. There are five standing objects. All on solid ground: normal space, punctuated by forms. In spite of this normalcy, these forms have interesting qualities. Each is well drawn. The viewer perceives all sides of them, even the surfaces that are in deep shadow, This is an academic success! It proves there is validity in art made mundanely. I may have written disparagingly of this kind of art in the first paragraph of today's post, but here is a drawing saying OK.
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