No No to No
Erasure, or removal by painting over, is recognition of failure to find truth and integrity. This occurred incisively during yesterday's studio session. This is me making good habits into habitual integrity.Being able to say "NO" to elements of an image during its expression, as it is appearing, is becoming my talent. "NO!" means recognition of an idea gone wrong. Erasure, or removal by painting over, is recognition of failure to find truth and integrity. This occurred incisively during yesterday's studio session. This is me making good habits into habitual integrity.
Never Ending Returns
I have begun a practice of returning to drawings which I had believed finished. This looking back is helping me. I am making good drawings better. I am learning about the error of my ways. Some of my drawings suffer endings because I have exhausted myself; thus their possibilities are limited by exhaustion. Others are made deceptively complex, thus diluting their impact. I go back a second day to eliminate and strengthen, moving these drawings to a basic, more forceful simplicity.
It has been my habit to make drawing a daily exercise. I believed drawing was a daily exercise, unlike painting. I believed drawings were to be completed in one sitting, while paintings were exercised over multiple days. The complexity of my understanding is leading to failure to complete in my one-day/drawing habit. Energy of one day is becoming an issue too. Proper completion is impossible when complexity meets the limits of energy. The other issue is exhaustion removes the edgy, robust energy required in order to see strength in simplicity.
The first drawing I show today took three days to make (I did not photograph state 1; I must have known state 1 failed a finality test). The second drawing is simple investigation; it feels basic because it is simple research into one avenue of possibilities. I do not like the second drawing. It is here, which may be the last time it will be seen in public.
One Thing is Constant
The introspection immersed within my approach is constant. I worry about this. If approach has consistency, does it also contain habit and bias? There is an old saying, "If a hammer is the only thing one has, the entire world looks like a nail." If my habitual mind is all I have, do I approach everything with the same bias? I do believe there is revelation in both the painting and the drawing I show today. Process and progress are complicated problems. As much as I am making the effort to discover myself I making an effort to discover a process devoid of bias.
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