 Drawing 04·13·2021, pencil on paper, 20x16 inches  Drawing 04·06·2021 (state 2), pencil on paper, 16x20 inches Blink then look. First drawing is yesterday's. Second drawing was first performed on 4/6/2021, then revised yesterday; go back to my blog post of 4/7/2021 to see state 1 of the same drawing. Here are examples of solidification of truth and ideas. Ideas compete with truth to find finality as pencil marks.
 Drawing 04·06·2021, pencil on paper, 16x20 inches When I am in the studio nothing is dull, there is no ennui, just drama driven durance. I am captive to myself, captive to my ideas, flood they do, one on top of the next. Each work I do insights and invigorates me. Yesterday's drawing implores things to consider, more ideas, more joyous imprisonment in my studio.
 "In the Lost Negative" (2021 No.2, state 2), oil on canvas, 49¾ x58½ inches {We only live between before we are and what we were. In the lost negative you exist... Three ages in a flash: the same child in the same picture, he, I, you..." - Robert Lowell, "For Sheridan"}  Drawing 01·31·2021 No.1, pencil on paper, 16x20 inches  Drawing 01·31·2021 No.2, pencil on paper, 20x16 inches What's it all about? I am not sure. I know I must seek. I believe I am finding. This is real stuff, images with meaning. Am I delusional? I can not answer. I do know it feels right and good to seek, to find, to deliberate. I am alive!
 "Clever Liars" (2020 No.1, state 13), oil on canvas, 56½x47½ inches {"Clever liars give details, but the cleverest don't!" - anonymous}  Drawing 12·31·2020, pencil on paper, 16x20 inches 2020 ends with me completing the first painting I began in 2020, "Clever Liars." This year has been an interesting journey. All in all, the 2020 journey has been fruitful. Obviously there has also been an abundance of fear. Yet here we are. Where there is life there is hope. My hope is unrelenting. My ambition is unrelenting. The two works shown today are cumulative, filled with ideas explored in 2020. These are, as I always say, stepping stones, but they are also works completed. Joy comes when I accept the success that is made real in artworks completed. I want to do more because each work completed instigates ideas. I want to explore and research every idea. I enter 2021 with oodles to explore.
 Drawing 10·11·2020 No.1, pencil on paper, 16x20 inches  Drawing 10·11·2020 No.2, pencil on paper, 20x16 inches Energy in movement is reentering my work — BIG! I have missed it. There is wonder in me of where things go in the interim between search and find. I search for nirvana in personal mindfulness, yet I often wander through a maze of ideas in my hunt for pure, blissful, truth telling. These drawings do speak loudly of the importance of being present while drawing, present as one is in the energy of one's mind. These drawings speak of me and not of ideals or delusive inquires into those who have come before me.
 Drawing 06·25·2020, pencil on paper, 16x20 inches I am a wave. I am a progressive. I surprise myself. I create stuff never seen before. I will continue, one day at a time, one step at a time, on a path to a place unknown. I am surprised; I am surprised everyday.
I heard Dave Chappelle say our current President is not the wave, he is surfing the wave. Waves go in and out. Idiots can surf, but they are unable to be the wave itself. Political progressives are waves. They are splashing onto our cultural beaches. Progressives erode our culture's ingrained, holdover ideas. Norms must be overhauled for our culture to be the best it can be. Progressives see a better way. It is unfortunate our current President has a bully pulpit; he calls to his slow-minded admirers, who want nothing to change. Progressives will replace the old with better. Progressives are creative, as creative as the wind that drives them. The wind moves our culture in the right direction. Unfortunately, we are forced to watch our President, an angry surfer, who speaks as if there is no Global Warming, as if nothing is changing. This guy likes the old ride, he likes his old Cadillac, not a new Tesla. His craziness is his old, dreary ideas; ideas that were set in the early days of our Republic. Old ideas need to change in order to recognize who we are right now. Our old man President learned to surf a long time ago. It is unfortunate his mind is not open to our needs. Changes are required in order to make us a better Republic.  "Gunfire Across My Consciousness" (2019 No.5, state 9), oil on canvas, 48.5x32.5 inches {"My mind is just like a spin-dryer at full speed; my thoughts fly around my skull... Images gunfire across my consciousness... I jump in awe at the soul-filled bounty of my mind's expanse." -Christopher Nolan, Irish Writer on his reasons for writing "The Eye of the Clock", in November 8, 1987 "Observer"} Methinks this may be done; I am writing about "Gunfire Across My Consciousness", which was started in a flurry of ideas, then bogged into questions with slow answers, and is now coming together in a time of security in knowledge and emotions. I feel good! I believe "Gunfire Across My Consciousness" is a very good painting.
This brings me to the mystery of my creative life. I go through periods when I feel lost, feel very alone; I despair that time and ideas are not great enough. Right now I feel the opposite. I believe I know what I am doing; I just have to show up to get it done. Creativity is cyclical, as are the intellectual and emotional structures in living.  Drawing 09·22·2019 No.1, pencil on paper, 16x20 inches  Drawing 09·22·2019 No.2, pencil on paper, 20x16 inches "There ain't no sunshine when she's gone." The past is important. Correct filtering is difficult. Correctly remembering lessons learned is difficult. Correct filtering means retaining the good stuff; the bad stuff also retained, but filed in the "don't-do-that-again" folder.
As you view the drawings I show today, think of me as questioning my past propensities. I constantly need to shake my ideas. Too often I surrender to ideas that have worked well for me. Perhaps those old ideas they are misconstrued. Doing stuff that comes easy restricts the profundity of my art. The battle for the sublime is never over.  Drawing 05·01·2019, pencil on paper, 16x20 inches Yesterday it felt good to be back; I am making art! I felt insight and glory. Nice! This is the stuff I was born to do! That said, I need to prepare to deliver paintings and drawings to Bromfield Gallery in Boston, due June 3. I cannot rest. I must make both art and frames.
Yesterday's drawing examines my recent interests and ideas. It has a central pyramid and two side panels. This frontal design invites the viewer to enter. Then the wandering begins. Consequently it is a highly successful drawing. As I said earlier, it is good to be back!!!  Drawing 04·23·2019, pencil on paper, 16x20 inches I would like to sit here and chat with you, but I got to get ready. In two days I deliver 11 paintings and 12 drawings to AVA Gallery for the June 10 opening of my one-person exhibit.
Yesterday's drawing explores some of my recent ideas, but fails at exploring others. I am trying to put ALL my ideas together in one drawing. I will get there, but I must admit this to myself: The distraction of getting ready for an exhibition is heavy. I know I must accept this distraction as real and necessary, despite my wanting to rebel against this outside-of-myself organizing influence. |
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September 2021
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