I am seeing and doing drawing with a new normality. This shift in norms is seeing with immediacy; being-in-the-moment, acting-in-the-moment. This discovery of prescience has also brought a different way I touch and mark. Perhaps prescience is not quite right, since this acting from foreknowledge is not simple clairvoyance; it is marking based upon immediate foresight. The foresight occurs momentarily before the mark occurs. In other words, I am feeling my way by reacting to the incomplete image on the paper that is in front of me. I cannot help but think that Paul Cézanne acted similarly during his artistic maturity.
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