Category: Exhibition

Real versus Seeing Here

3/22/2023

"Anew" (2023 No.4, state 07), oil on canvas, 47¼x60½ inches

Exhibition Opens April 1, 2023

Here is a reproduction of the new postcard for Silvermine Galleries "Abstract Visions" Exhibition, opening April 1, 2023. Also, take a look at the latest state of the painting, "Anew."

The difficulties of reproducing Art Work is annoying. Reproductions are never close to exhibiting the nuances seen in original Art. I choose to accept these limitations, not to be distracted by them. Despite my sadness in this, I relent. It is more important for me to make Art than to reproduce Art.

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Back after Delivering "Shadowland"

8/21/2022

Drawing 08·16·2022, pencil on paper, 16x20 inches

I delivered the painting, "Shadowland", to Silvermine Galleries for the 72nd A-ONE Exhibition. Finished this drawing yesterday; first work on this drawing was 8/16/2022.

72nd A-ONE Announcement Postcard

8/14/2022

Now What?

6/8/2022

Drawing 06·08·2022, pencil on paper, 16x20 inches

I am a wondering, wandering man. Now what? My recent painting, ”Castle", will soon be in exhibition. Exhibition marks success of artistic communication. Why "Castle"? I make a lot of art, I make a lot of paintings and drawings. People choose to exhibit art they enjoy. Enjoyment denotes relevance. I continue to process during, and after, exhibitions. Constantly I work to come to peace with my natural instincts. Informative is the art people choose to exhibit. Choice by others is an expression of value in an artwork's communication. Yesterday's drawing (shown here) is my reaction to the positive quality expressed by the choice of “Castle” as exhibition worthy. In this drawing I am reacting by wondering. All my art is both question and answer.

Pecha Kucha is Live

9/18/2020

My Pecha Kucha, developed at the behest of Silvermine Galleries, is available on YouTube: www.youtube.com/watch?v=szzy_syjNkQ. The announcement postcard for this exhibit, and the Pecha Kucha, are below. All relevant information regarding the 70th A-ONE exhibit can be seen on the postcard. This Pecha Kucha explains my creative life, from informative years to the painting, Amidst a Falling World, now on view at the 70th A-ONE Exhibition. This Pecha Kucha is 20 slides with 20 voice overs by me, each slide last 20 seconds, total run time = 6 minutes 40 seconds.

Yesterday's beginning of a drawing is shown below the postcard. This drawing feels like a new beginning. I will work on the same drawing today. I believe a lot of excellent work is about to spill from me. My level of understanding has recently taken a big step toward clarity.

Drawing 09·17·2020 (state 1), pencil on paper, 20x16 inches

New & News

8/28/2020

Drawing 08·27·2020, pencil on paper, 20x16 inches

Yesterday, after several days of being swept away by preparation of my Pecha Kucha for the 70th A-ONE Silvermine Gallery Exhibition, I was active in the studio. I show you yesterday's drawing without comment.

The Pecha Kucha is done (I will link you to when Silvermine Gallery makes the Pecha Kucha live and linkable). For the Pecha Kucha I took a photo of my studio on 8/23/2020 (see it below).

Work Wall of Mehrbach Art Studio on August 23, 2020

Today Last Day at Bromfield

6/30/2019

Drawing 06·29·2019, pencil on paper, 16x20 inches

Funny it is, I find this, the last day of my solo exhibition at Bromfield Gallery (Boston), a Good Thing! I just want to get back to my daily routine of making art. I am almost there. Next week my last solo show of this summer begins at Lyme New Hampshire's Converse Free Library (opens July 8). The library will exhibit mostly drawings, and a couple paintings. The Summer Juried Exhibition at AVA Gallery (Lebanon, NH) will exhibit my painting "How's It Gonna End" and a drawing (opens July 12).

Yesterday's drawing is massively worked. It took three days! This complicated manner of working on drawings is a new thing for me. Intuition is driving my steps. My path is revealing itself, surprise by surprise.

My Olive Trees

5/18/2019

Drawing 05·17·2019, pencil on paper, 20x16 inches

I continue to struggle to keep thinking, to keep making art in the midst of manufacturing. I am making stretchers and wood panels, putting my paintings upon them. For my drawings I am cutting matts, placing them in frames. Within the discomfort of my current situation I made this drawing. It is a good one. It triumphs over my struggle. Right now I feel this is my plight. Perhaps this is always. I believe, if I just keep doing it, I will triumph. I stick-in there, keep thinking, keep doing; I have not found a problem I cannot solve. My ideas pull me forward. The first limitation is the quantity of my ideas. The second is the amount of time I have to research, to solve these ideas on paper and canvas. I have many ideas, more than I have time to follow. Ideas just keep spilling out of me. I worry about time. It is the limitation of time I worry most about. In his poem, On Living, the Turkish poet, Nâzım Hikmet, wrote, "You must take living seriously that even at seventy, for example, you'll plant olive trees — and not for your children, either, but because although you fear death you don't believe it, because living, I mean, weighs heavier." My paintings, my drawings, are my olive trees; I plant them because my ideas weigh heavy. I must nurture them, make them real. I do not relish looking forward because, although I fear death, I do not take my time to believe in it because living overwhelms me, is heavy upon me. Yes, I take my moments one at a time.

On Living   --Nâzım Hikmet (1902-1963)

I
Living is no laughing matter:
   you must live with great seriousness
       like a squirrel, for example--
   I mean without looking for something beyond and above living,
       I mean living must be your whole occupation.
Living is no laughing matter:
   you must take it seriously,
   so much so and to such a degree
   that, for example, your hands tied behind your back,
your back to the wall,
   or else in a laboratory
   in your white coat and safety glasses,
   you can die for people--
   even for people whose faces you've never seen,
   even though you know living
   is the most real, the most beautiful thing.
I mean, you must take living so seriously
   that even at seventy, for example, you'll plant olive trees--
   and not for your children, either,
   but because although you fear death you don't believe it,
   because living, I mean, weighs heavier.

II
Let's say we're seriously ill, need surgery--
which is to say we might not get up
           from the white table.
Even though it's impossible not to feel sad
           about going a little too soon,
we'll still laugh at the jokes being told,
we'll look out the window to see if it's raining,
or still wait anxiously
       for the latest newscast. . .
Let's say we're at the front--
   for something worth fighting for, say.
There, in the first offensive, on that very day,
   we might fall on our face, dead.
We'll know this with a curious anger,
but we'll still worry ourselves to death
about the outcome of the war, which could last years.
Let's say we're in prison
and close to fifty,
and we have eighteen more years, say,
before the iron doors will open.
We'll still live with the outside,
with its people and animals, struggle and wind--
I mean with the outside beyond the walls.
I mean, however and wherever we are,
we must live as if we will never die.

III
This earth will grow cold,
a star among stars
   and one of the smallest,
a gilded mote on blue velvet--
      I mean this, our great earth.
This earth will grow cold one day,
not like a block of ice
or a dead cloud even
but like an empty walnut it will roll along
      in pitch-black space . . .
You must grieve for this right now
—you have to feel this sorrow now--
for the world must be loved this much
   if you're going to say "I lived". . .

From Poems of Nazim Hikmet, translated by Randy Blasing and Mutlu Konuk, published by Persea Books.
Copyright © 1994 by Randy Blasing and Mutlu Konuk. Used with the permission of Persea Books. All rights reserved.

Feeling Better

5/2/2019

Drawing 05·01·2019, pencil on paper, 16x20 inches

Yesterday it felt good to be back; I am making art! I felt insight and glory. Nice! This is the stuff I was born to do! That said, I need to prepare to deliver paintings and drawings to Bromfield Gallery in Boston, due June 3. I cannot rest. I must make both art and frames.

Yesterday's drawing examines my recent interests and ideas. It has a central pyramid and two side panels. This frontal design invites the viewer to enter. Then the wandering begins. Consequently it is a highly successful drawing. As I said earlier, it is good to be back!!!

Delivery & Return

5/1/2019

Drawing 04·30·2019, pencil on paper, 20x16 inches

When did I last make art? On Friday (April 26) I delivered my paintings and drawings to AVA Gallery. My solo exhibition at AVA opens May 10. Nine paintings and twelve drawings will be shown. Below is the AVA Exhibition Announcement card.

Yesterday's drawing made me feel rusty. It did not come easy. For the next month I will be making art, but I will also be preparing paintings and drawings for my upcoming solo show at Bromfield Gallery in Boston.

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