I am encountering an expected major problem for an artist with my propensities. How do I integrate the background with the robust forms I create in the foreground? This is a problem because of my natural desire to create sculptural forms. Why don't I just make sculpture? I tried that. I did not like it. It takes too much time to manipulate large forms, as well as enormous studio space and enormous cost. There is also color. I love color. I also love to control and manipulate light. Playing with light crossing forms is so much more direct in drawing and painting than in sculpture. So, here I am. I must deal with the inherent two-dimensionality of canvas or paper as I produce artificially drawn three-dimensional forms. To make the actual 2D work well with the artifice of 3D is not an easy task. It took Cezanne a lifetime. I am committed to this. It looks like abstract forms may allow me to research more directly with this 2D/3D problem than having to worry about the efficacy and meaning of actual forms, human or otherwise. At least, that is how I feel today.
To read my profile go to MEHRBACH.com.
At MEHRBACH.com you may view many of my paintings and drawings, past and present, and see details about my life and work.