We walk around with our intellects and our emotional selves, intertwined, both needing satisfaction. For me, this explains the game I play in making art. I want to be fully satisfied, satiated. At the end of the day I want to be spent, no left over garbage. No tool unused. Such is the satisfaction of a good day.
The painting, "2016 No.15", feels spent. Give me a few days of looking before I am sure. Being "spent" means it says as much as I can say, right now. How do my worries about complexity, visual confusion, intellectual satisfaction, and emotional fulfillment, play a role in my declaring "2016 No.15" finished? This is a giant topic. I do not feel able to answer in one blog post. For a quick response to my question, Pablo Picasso's exceptional masterpiece, "Guernica", answers well. My being satisfied with a work of art is indisputably seen in "Guernica" (reproduced after my work). It is filled with forms, knocks you around emotionally and structurally, but keeps you balanced by a supremely centered triangle and by vertical, panel-like groupings on both sides of the image. In other words, when emotions are hot, passionately vomiting sentiment without solid structure leads to perplexing communication (think of an argument with your significant other). Picasso throws heat at us while keeping us centered. We are able to hang in there because of the balance, the intellectual calm of the composition balances the emotional outrage of the imagery.
I made great effort to reproduce yesterday's drawing well. I failed to get the subtle contrast play of the main form against the slowly changing light of the curtain-like background. This is a pencil drawing. The delicate grays of the pencil are lost.
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