There is this human desire to "get there." It isn't going to happen. Each drawing, each work of art, is just a stepping stone along a path leading to no particular place, but a place of firmer knowledge then where I am right now. In other words, as I wrote yesterday, I am being swept down a funnel, and a vast sea awaits me, but I shall always be in the funnel. Perhaps "the funnel" is, therefore, a poor analogy. Instead of getting squeezed, I am opening up. I am, however, slipping and sliding, stripping out the misdirections. The funneling process is me allowing myself to be frictionless. I am allowing the fall, I am allowing myself to be swept away by the flood. The funnel is the narrowing of accepted truths. The water of the flood is the enormous amount of relevant knowledge.
Yesterday produced two interesting drawings. The first feels traditional, yet is high in quality. The forms are extremely well felt. The second is about space, and using the human head as a round form, compositionally moving the viewer in and out of the picture plane while simultaneously designing the two--dimensional rectangle. This interest of mine, the 3-D versus the 2-D, brings me back to Cezanne. To make my point, two Cezanne Still-Life paintings are shown after my work. The first is just apples, like human heads running across the page. The second Cezanne is much more complex, powerful in its forms, rhythms, color, and spatial play. The technical finesse of this painting is as demanding as anything achieved by another master of three-dimensional rendering, Pablo Picasso. I have a feeling I will soon make a Still-Life painting myself.
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