At last I can say that the painting Untitled Diptych-04·15·2014 is in its latter stages of completion. I was not sure of this until yesterday's revisions. In addition, my viewing the painting here, in reproduction, helps me see the truth. The reproduction reduces the 10 foot wide painting to about 6 inches wide on my computer screen. The composition is much easier to comprehend in this miniature version. So, all the recent revisions of the man on the left were in response to his not being an authentic version of himself. I did not know "the right version" I was looking for, but I certainly recognized when he wasn't right. Of course he, and the entire painting, are not finished. But yesterday's changes were definitive moves toward correctness.
Yesterday's drawing is another seated man in the many recent drawings of seated me. This one is more traditional than most. It was done after I painted on Untitled Diptych-04·15·2014. My mind was in an uproar. I could not stop myself from working. This drawing came quickly, then I left the studio exhausted. The physical and mental demands in working to find an important solution to Untitled Diptych-04·15·2014 require me to step away from the studio for a couple of days. My head is literally buzzing, which is always a good indication I have reached deeply into my nervous system and that I need to step away and let it calm itself.
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