Too high a level of biomorphism bothers me. I believe strong biomorphism forces the viewer to think of animals and insects and extraterrestrial aliens (as depicted in films), rather than clear-sightedly being involved with composition, color, and forms. I want the viewer to visually dive into my art, be consumed by its reality. I don't want the viewer to think about external references. I want them to be here, now. Is this possible? Not completely. We all live in a world of forms and color. Our references are demanding, both intellectually and emotionally. Those who find spiders an emotional conundrum probably see a spider in "2016 No.14" (although it only has four appendages). I see a form stretching itself, forcing the space into three-dimensions. I am hoping this causes spatial tintinnabulation, making the absence of form ring, as if the air itself is alive. This is me trying to enliven the third-dimension of negative space on a two-dimensional plane.
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