I am becoming aware the rotation in my drawings moves from simple to complex and from small to large. In a way, all my drawings are studies for my painting, even though, on the quick look, the subject matter appears distant, or not related at all. My activity in drawing is based upon my queries about painting. Yesterday's drawing is actually a study for the woman in the right panel of the painting Untitled Triptych-08·13·2014. Her sensuality is going up. In the last few states I have been dealing with this change in her personality. Thus comes yesterday's drawing of a sensual female. Yes, the woman in the drawing appears a lot different than the woman in the painting. It is a study in mood, not a simple study of physiognomy.
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