The changes to the man in the left panel of Untitled Triptych-08·13·2014 proves that size and shape matter, also angle and structure. The impact of the recent seemingly minor alterations astound me. The overall composition has been set for several weeks, so the stuff happening now are enhancements and subtleties. As example, looking at the man in the left panel, I like very much the rotation of his feet toward the left playing against his head's rotation toward the right. Nice. Yesterday's drawing is different for me.
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