So this is what it's all about?
Yesterday's changes in Untitled Triptych-08·13·2014 opened up a new dialogue in this painting. I thought I was playing with intellectual compositional problems when all of a sudden the girl in the right panel got sexier. I don't need to tell you about this major change, you can see it simply by comparing today's reproduction with yesterday's.
I am not thrilled with yesterday's drawing in terms of composition or content. However, in person, this drawing has the same dynamic play of darks and lights, a wonderful use of value changes, that is evident in all my drawings from the last few weeks. Technically there has been a big jump in my drawing, which is now seeping into the painting as well.
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