Soft and Hard
A friend of mine commented on the painting 2017 No.6, saying there were lots of hard edges, that he would like to see a soft, pillow-like shape in it. This made me aware that my work lacks another possible type of contrast: soft versus hard. My work is filled with contrast, but it lacks soft forms. Without using soft forms I am restricting myself from an additional expressive possibility. Soft forms should be one more arm in my arsenal. Yesterday's drawings began with an intention to test this additional contrasting agent. I think I failed. That major form on the left in drawing No.1 was intended to be a soft form. Soft success or no, I do think these drawings are good ones.
Before you leave me today, please take a look at the painting I reproduce below, Anselm Kiefer's The Fertile Crescent. This painting, which is stark in color, filed with the artifice of three-dimensional depth and natural white light, stirs me. It reassures me that my conviction is correct: Alluding to the third-dimension, on a flat two-dimensional surface, is emotionally powerful and expressive.
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